(Guitar, vocals, songwriter, b. 1943) Englishman Albert Lee first attracted attention playing with British R&B singer Chris Farlowe in the mid-1960s, and played in several British bands before working as a ‘hired gun’ for legendary acts like The Crickets, Jerry Lee Lewis and most notably The Everly Brothers. In 1976, he replaced his hero, ...
Rock guitarist Albert Lee was born in Leominster, Herefordshire in 1943. The son of a musician, Lee started his musical career on piano, but like many of his generation, took up the guitar upon the arrival of rock’n’roll, inspired in particular by Buddy Holly. He played in various bands after leaving school at the age of ...
Lee Ritenour (b. 1952) began his career as a session player at 16 and grew into an internationally respected guitarist, composer and producer. He has appeared on over 3,000 sessions and recorded 40 solo and collaboration albums. He had a worldwide hit with ‘Is It You’ in 1981. As for his guitar playing, his nickname, Captain Fingers ...
Blues-rock guitarist Peter Green was born Peter Greenbaum in Bethnal Green, London in 1946. He began playing guitar at the age of 10. Among his early influences were Hank Marvin, Muddy Waters and B.B. King. After Green played bass in several semi-pro outfits, keyboardist Peter Bardens invited him to play lead in his band. Three months later ...
Blues-rock guitarist Alvin Lee was born Graham Barnes in Nottingham in 1944. Inspired by rock’n’roll guitarists Chuck Berry and Scotty Moore, Lee began to play at the age of 13, and formed his first band, Ivan Jay & The Jaymen, in 1960. Lee became lead vocalist in 1962 when the band changed their name to The Jaybirds ...
Jakey Lou Williams (b. 1957) was born in Norfolk, Virginia. His father was a member of the US Navy, which meant frequent relocation. Finally, however, the Williams family settled down in San Diego, California, where Jake began taking classical piano lessons. But, upon hearing his older sister’s Jimi Hendrix, Led Zeppelin and Black ...
The original boogie man, John Lee Hooker (1917–2001) sustained a career of more than 50 years with his incessant one-chord stomp and half-spoken vocal style. But behind the captivating, hypnotic rhythm, Hooker found his own deep blues – one with dark tones and mysterious flurries of notes – as he groped to express, often with a wicked ...
Few blues guitarists had more style and presence than Albert King (1923–92). At 6ft 4in (1.93m) and 250lbs (113kg), he cut an imposing figure onstage. Equally distinctive was his Gibson Flying V guitar, a right-handed instrument that King played left-handed and upside down. This gave him an unusual, tormented sound when he bent the strings on his fretboard. ...
In the later years of the nineteenth century, the world of black religion was in ferment. Breakaway sects began to found their own churches and followed the drift of black people from the country to the cities, resulting in the mass migrations from Southern oppression to a newer, but not always easier life in the industrialized cities of ...
(Al’-bârt Lôrt’-zing) 1801–51 German composer Lortzing’s youthful experience in theatres – acting, singing and conducting – was of immense value to his later vocation as a composer of operas, the largest and most important part of his output. His comic operas are his most characteristic works, portraying a homely, sentimental humour that has proved hugely popular in Germany. ...
(Oi’-gan Dal’-ber) 1864–1932 German pianist and composer Born in Glasgow to a ballet composer, at 17 D’Albert moved to Vienna, befriending the great Wagner conductors Richter and Bülow, as well as Brahms and Liszt, with whom he studied. Widely admired as a piano virtuoso (several of his six wives were noted musicians), D’Albert was increasingly drawn to operatic composition. ...
(Vocals, 1895–1984) Memphis-born Alberta Hunter ran away to Chicago as a young girl to seek her fortune as an entertainer. She survived the cutthroat world of early twentieth-century jazz long enough to establish herself as a front-line vocalist, albeit in a somewhat less-declamatory style than that favoured by some of her contemporaries. She recorded (sometimes using pseudonyms) for Black ...
Albert Clifton Ammons was born in Chicago, Illinois in March 1907. As a young man he learned from Jimmy Yancey, who cast a long shadow over Chicago blues pianists through his work at rent parties, social functions and after-hours jobs. Ammons came to know other pianists and the blues specialists gathered together in Chicago to create a coterie ...
(Guitar, vocals, 1899–1977) John Adams Estes was born in Ripley, Tennessee. He teamed up with mandolinist Yank Rachell to work the area from 1919 until the late 1920s. His first recordings were made for Victor in 1929 and included his celebrated ‘Divin’ Duck Blues’. He left Brownsville for Chicago in 1931. With harmonica player Hammie Nixon, Estes ...
John Lee Hooker’s sparse blues sound was a major influence on the younger generations of blues musicians dominating the music scene in the 1960s and 1970s. His individual style retained a primitive purity at a time when many of his contemporaries were experimenting with groups and incorporating the influences of other types of music into their blues. Hooker’s guitar technique was ...
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